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Technologie Blockchain et intermédiation dans l'industrie musicale

Author

Listed:
  • Laurent Bach

    (BETA - Bureau d'Économie Théorique et Appliquée - AgroParisTech - UNISTRA - Université de Strasbourg - Université de Haute-Alsace (UHA) - Université de Haute-Alsace (UHA) Mulhouse - Colmar - UL - Université de Lorraine - CNRS - Centre National de la Recherche Scientifique - INRAE - Institut National de Recherche pour l’Agriculture, l’Alimentation et l’Environnement)

  • Rémy Guichardaz

    (BETA - Bureau d'Économie Théorique et Appliquée - AgroParisTech - UNISTRA - Université de Strasbourg - Université de Haute-Alsace (UHA) - Université de Haute-Alsace (UHA) Mulhouse - Colmar - UL - Université de Lorraine - CNRS - Centre National de la Recherche Scientifique - INRAE - Institut National de Recherche pour l’Agriculture, l’Alimentation et l’Environnement)

  • Éric Schenk

    (BETA - Bureau d'Économie Théorique et Appliquée - AgroParisTech - UNISTRA - Université de Strasbourg - Université de Haute-Alsace (UHA) - Université de Haute-Alsace (UHA) Mulhouse - Colmar - UL - Université de Lorraine - CNRS - Centre National de la Recherche Scientifique - INRAE - Institut National de Recherche pour l’Agriculture, l’Alimentation et l’Environnement)

Abstract

Recent technological developments have led to a questioning of the intermediation activities of the dominant players in the music industry. After reorganizing their resources and competences, these players have redeployed their functions around 360° strategies. Among emerging technologies, the Blockchain is often presented as a disintermediation tool. Indeed, it allows information to be stored or transactions to be carried out without recourse to a central control body. Through a qualitative methodology, this article aims to propose a prospective analysis of the impact of the Blockchain on intermediation within the music industry.

Suggested Citation

  • Laurent Bach & Rémy Guichardaz & Éric Schenk, 2021. "Technologie Blockchain et intermédiation dans l'industrie musicale," Post-Print hal-03240122, HAL.
    • Handle: RePEc:hal:journl:hal-03240122
    DOI: 10.3166/rfg.2021.00512
    Note: View the original document on HAL open archive server: https://hal.science/hal-03240122v1
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