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Extending Escher’s Recognizable-Motif Tilings to Multiple-Solution Tilings and Fractal Tilings

In: M.C. Escher’s Legacy

Author

Listed:
  • Robert Fathauer

Abstract

Tiling of the plane is a theme with which M.C. Escher was preoccupied nearly his entire career as an artist, starting around 1920. He was particularly interested in tilings in which the individual tiles were recognizable motifs, and kept a notebook in which he enumerated over 130 examples of this type of design [9]. Many of these were incorporated in finished woodcuts or lithographs. Notable examples include Day and Night (1938), Reptiles (1943), Magic Mirror (1946), Circle Limit IV (1960), also known as “Heaven and Hell,” and the Metamorphosis prints of 1937–1968.

Suggested Citation

  • Robert Fathauer, 2003. "Extending Escher’s Recognizable-Motif Tilings to Multiple-Solution Tilings and Fractal Tilings," Springer Books, in: Doris Schattschneider & Michele Emmer (ed.), M.C. Escher’s Legacy, pages 154-165, Springer.
    • Handle: RePEc:spr:sprchp:978-3-540-28849-7_16
    DOI: 10.1007/3-540-28849-X_16
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