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Coelum Britannicum: Inigo Jones and Symbolic Geometry

In: Architecture and Mathematics from Antiquity to the Future

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  • Rumiko Handa

    (University of Nebraska-Lincoln, College of Architecture)

Abstract

Inigo Jones’s conclusion that Stonehenge was a Roman circular temple in Tuscan order dedicated to Coelum, the god of the heavens, appeared in a posthumous publication (1655) by John Webb, and drew extensively from mythology, history, and astrology. Jones’s interpretation was an important part of his grand vision Coelum Britannicum, which drew a macro- and microcosm parallels between the heavens and Britain. For Jones, this symbolism presented a specific geometrical scheme and therefore turned immediately into an architectural form. It appeared in other designs by the architect and arguably in works by others under his influence. This paper will discuss the role of mathematics in architecture, as stated by Robert Recorde and John Dee among others, Jones’s written statements in this regards, other works by Jones, and court paintings by Peter Paul Rubens and Anthony Van Dyck.

Suggested Citation

  • Rumiko Handa, 2015. "Coelum Britannicum: Inigo Jones and Symbolic Geometry," Springer Books, in: Kim Williams & Michael J. Ostwald (ed.), Architecture and Mathematics from Antiquity to the Future, edition 127, chapter 0, pages 197-216, Springer.
    • Handle: RePEc:spr:sprchp:978-3-319-00143-2_13
    DOI: 10.1007/978-3-319-00143-2_13
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