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Cadence

In: The Topos of Music

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  • Guerino Mazzola

    (University of Zurich, Department of Information Technology MultiMedia Laboratory)

Abstract

Summary Cadences are shorthand representations of tonalities. (We do not discuss the other meanings—e.g., the solo cadence in the sense of a concert climax—of this typically homonymic term.) There is a variety of approaches to realize such a representation. We give an explicit definition of the concept of a cadence with respect to varied addresses and ambient spaces. In particular, we present the very classical cadences, those related to self-addressed function theory, and more exotic self-addressed cadences which relate to symmetries rather than to tones or sets of such objects.

Suggested Citation

  • Guerino Mazzola, 2002. "Cadence," Springer Books, in: The Topos of Music, chapter 0, pages 551-562, Springer.
    • Handle: RePEc:spr:sprchp:978-3-0348-8141-8_26
    DOI: 10.1007/978-3-0348-8141-8_26
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