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Grid Diagram: Deleuze’s Aesthetics Applied to Maggs’s Photographs

In: When Form Becomes Substance

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  • Jakub Zdebik

    (University of Ottawa)

Abstract

Gilles Deleuze’s diagram is an abstract concept without a corresponding visual manifestation. Yet, it is also a concept interrelated with his aesthetic philosophy. The grid, a nonfigurative structure, serves to articulate the aesthetics of the diagram. Applied to grids manifest in Arnaud Maggs’s art, the diagram is revealed to be, in turn, an art historical methodology, a capture of information and an instance of pure functionality. With the theories of Buci-Glucksmann, Joselit, Krauss, Elkins and Genosko, the structural visual apparatus beneath the philosophical diagram devised by Deleuze and Guattari, with the support of Foucauldian and Kantian notions, is made to take shape.

Suggested Citation

  • Jakub Zdebik, 2022. "Grid Diagram: Deleuze’s Aesthetics Applied to Maggs’s Photographs," Springer Books, in: Luciano Boi & Carlos Lobo (ed.), When Form Becomes Substance, pages 525-545, Springer.
    • Handle: RePEc:spr:sprchp:978-3-030-83125-7_19
    DOI: 10.1007/978-3-030-83125-7_19
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