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Creativity without a copyright: music production in Vienna in the late eighteenth century

In: Copyright in the Cultural Industries

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  • Peter Tschmuck

Abstract

Several of the authors question the efficacy of copyright, which is increasingly regarded as benefiting multinational organisations rather than individual authors and performers. Others are less critical of copyright per se, but question its ability to meet the new challenges of a digital era. Some of the specific issues covered include: law and international transactions of copyrighted material; economic analysis of copyright and freedom of expression; music licensing in the digital age; the role of copyright in stimulating cultural development; internet distribution of copyright material; and the problems of licensing museum images.

Suggested Citation

  • Peter Tschmuck, 2002. "Creativity without a copyright: music production in Vienna in the late eighteenth century," Chapters, in: Ruth Towse (ed.), Copyright in the Cultural Industries, chapter 13, Edward Elgar Publishing.
    • Handle: RePEc:elg:eechap:2378_13
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    File URL: https://www.elgaronline.com/view/9781840646610.00020.xml
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    Cited by:

    1. Ruth Towse, 2006. "Copyright And Artists: A View From Cultural Economics," Journal of Economic Surveys, Wiley Blackwell, vol. 20(4), pages 567-585, September.

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    Keywords

    Economics and Finance;

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