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The "Starving Artist"-Myth or Reality? Earnings of Artists in the United States

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  • Filer, Randall K

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  • Filer, Randall K, 1986. "The "Starving Artist"-Myth or Reality? Earnings of Artists in the United States," Journal of Political Economy, University of Chicago Press, vol. 94(1), pages 56-75, February.
  • Handle: RePEc:ucp:jpolec:v:94:y:1986:i:1:p:56-75
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    References listed on IDEAS

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    1. Sargent, Thomas J. & Wallace, Meil, 1983. "A model of commodity money," Journal of Monetary Economics, Elsevier, vol. 12(1), pages 163-187.
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    Cited by:

    1. Sarah Montgomery & Michael Robinson, 2003. "What Becomes of Undergraduate Dance Majors?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 27(1), pages 57-71, February.
    2. Paula Karhunen, 1996. "The interaction between artists’ professional training and employment in the field of Finnish theatre," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(2), pages 165-175, June.
    3. Luc Champarnaud, 2014. "Prices for superstars can flatten out," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 38(4), pages 369-384, November.
    4. Gabe, Todd M. & Colby, Kristen & Bell, Kathleen P., 2007. "The Effects of Workforce Creativity on Earnings in U.S. Counties," Agricultural and Resource Economics Review, Northeastern Agricultural and Resource Economics Association, vol. 36(1), April.
    5. Tremblay, Carol Horton & Grosskopf, Shawna & Yang, Ke, 2010. "Brainstorm: Occupational choice, bipolar illness and creativity," Economics & Human Biology, Elsevier, vol. 8(2), pages 233-241, July.
    6. Victor Ginsburgh, 2013. "Mark Blaug and the economics of the arts," Chapters,in: Mark Blaug: Rebel with Many Causes, chapter 15, pages 208-224 Edward Elgar Publishing.
    7. Victor Ginsburgh, 2001. "Economics of arts and culture," ULB Institutional Repository 2013/1869, ULB -- Universite Libre de Bruxelles.
    8. Todd M. Gabe, 2011. "The Value of Creativity," Chapters,in: Handbook of Creative Cities, chapter 7 Edward Elgar Publishing.
    9. Haak, Carroll, 2006. "Von Künstlern lernen: Mehrfachbeschäftigung, Bildung und Einkommen auf den Arbeitsmärkten von Künstlern," Discussion Papers, Research Unit: Labor Market Policy and Employment SP I 2006-123, Social Science Research Center Berlin (WZB).
    10. Françoise Benhamou, 2011. "Artists’ Labour Markets," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 7 Edward Elgar Publishing.
    11. Amir Borges Ferreira Neto & Ricardo Da Silva Fregugli, 2014. "How Much Does Talent Matter? Evidences From The Brazilian Formal Cultural Industry," Anais do XLI Encontro Nacional de Economia [Proceedings of the 41th Brazilian Economics Meeting] 233, ANPEC - Associação Nacional dos Centros de Pósgraduação em Economia [Brazilian Association of Graduate Programs in Economics].
    12. Frey, Bruno S. & Meier, Stephan, 2006. "The Economics of Museums," Handbook of the Economics of Art and Culture, Elsevier.
    13. Merijn Rengers & Erik Plug, 2001. "Private or Public?," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(1), pages 1-20, February.
    14. Henry Hansmann, "undated". "Royalties for Artists Versus Royalties for Authors and Composers," Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy Working Paper Series yale_lepp-1023, Yale Law School John M. Olin Center for Studies in Law, Economics, and Public Policy.
    15. John Solow, 1998. "An Economic Analysis of the Droit de Suite," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 22(4), pages 209-226, December.
    16. David Throsby, 1996. "Economic circumstances of the performing artist: Baumol and Bowen thirty years on," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(3), pages 225-240, September.
    17. Haak, Carroll & Schmid, Günther, 1999. "Arbeitsmärkte für Künstler und Publizisten: Modelle einer zukünftigen Arbeitswelt?," Papers, Research Network Project "Work and Ecology" P 99-506, Social Science Research Center Berlin (WZB).
    18. Hans Abbing, 2011. "Poverty and Support for Artists," Chapters,in: A Handbook of Cultural Economics, Second Edition, chapter 48 Edward Elgar Publishing.
    19. Ruth Towse, 1996. "Comments on David Throsby’s paper," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(3), pages 245-247, September.
    20. Edwin West, 1989. "Nonprofit organizations: Revised theory and new evidence," Public Choice, Springer, vol. 63(2), pages 165-174, November.
    21. Henry Hansmann & Marina Santilli, 2001. "Royalties for Artists versus Royalties for Authors and Composers," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 25(4), pages 259-281, November.

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