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Manipulation and sexism in anarchism society: The case of Gustave Courbet
[Manipulación y sexismo en la sociedad anarquista: El caso de Gustave Courbet]

Author

Listed:
  • Estrella Trincado Aznar

    (Universidad Complutense de Madrid)

Abstract

Este artículo pone en evidencia una de las derivas que una sociedad anarquista, defendida por algunos ecofeministas, puede tener: el sometimiento de las mujeres. En particular, desde la sociología de la economía, la cultura y el arte, muestra cómo el pintor anarquista francés Gustave Courbet (1819-1877), amigo íntimo del pensador Pierre Joseph Proudhon (1809-1865), manipuló sus pinturas para anular el papel de la mujer en la sociedad, tal vez incluso sin ser muy consciente. Proudhon y Courbet, aunque apelaban a la libertad radical y procuraron mantener su independencia del poder, se movían por la arrogancia más que por el sueño de una sociedad inclusiva y libre para todos.

Suggested Citation

  • Estrella Trincado Aznar, 2023. "Manipulation and sexism in anarchism society: The case of Gustave Courbet [Manipulación y sexismo en la sociedad anarquista: El caso de Gustave Courbet]," Iberian Journal of the History of Economic Thought, Universidad Complutense de Madrid, Facultad de Ciencias Económicas y Empresariales, Dpto. Historia e Instituciones Económicas I., vol. 10(2), pages 105-112.
    • Handle: RePEc:ucm:ijohet:v:10:y:2023:i:2:p:105-112
    DOI: 10.5209/ijhe.91956
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    File URL: https://hdl.handle.net/20.500.14352/93608
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    More about this item

    Keywords

    Gustave Courbet; Proudhon; anarchism; the arts; sexism.;
    All these keywords.

    JEL classification:

    • B31 - Schools of Economic Thought and Methodology - - History of Economic Thought: Individuals - - - Individuals
    • B51 - Schools of Economic Thought and Methodology - - Current Heterodox Approaches - - - Socialist; Marxian; Sraffian

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