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The wars on graffiti and the new military urbanism

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  • Kurt Iveson

Abstract

An ever‐expanding number of urban authorities have declared 'war’ on graffiti. This paper explores the role the wars on graffiti have played in the creeping militarization of everyday life in the city. Wars on graffiti have contributed to the diffusion of military technologies and operational techniques into the realm of urban policy and policing. Furthermore, new Western military doctrines of urban warfare have sought to 'learn lessons’ from the wars on graffiti (and other crime) in their efforts to achieve dominance over cities in both the global South and the Western 'homeland’. The blurring of war and policing has deepened with the declaration of wars on terror. The stakes have been raised in urban social control efforts intended to protect communities from threats of 'disorder’ such as graffiti, for the existence of even 'minor’ infractions is thought to send a message to both 'the community’ and 'enemies within’ that there are vulnerabilities to be exploited with potentially more devastating consequences. Increasingly, there is a convergence around the notion that situational crime prevention strategies are crucial in combating both graffiti and terror threats, because even if graffiti writers and terrorists don’t share the same motivations, they do exploit the same urban vulnerabilities. The paper concludes with a critical reflection on what graffiti writers might be able to teach us about how to evade and/or contest the militarization of urban life.

Suggested Citation

  • Kurt Iveson, 2010. "The wars on graffiti and the new military urbanism," City, Taylor & Francis Journals, vol. 14(1-2), pages 115-134, February.
  • Handle: RePEc:taf:cityxx:v:14:y:2010:i:1-2:p:115-134
    DOI: 10.1080/13604810903545783
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    Cited by:

    1. Cameron McAuliffe, 2013. "Legal Walls and Professional Paths: The Mobilities of Graffiti Writers in Sydney," Urban Studies, Urban Studies Journal Limited, vol. 50(3), pages 518-537, February.
    2. Kurt Iveson, 2010. "Some critical reflections on being critical: Reading for deviance, dominance or difference?," City, Taylor & Francis Journals, vol. 14(4), pages 434-441, August.
    3. Rike Sitas, 2020. "Creative Cities, Graffiti and Culture‐Led Development in South Africa: Dlala Indima (‘Play Your Part’)," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 44(5), pages 821-840, September.
    4. Stefano Bloch, 2016. "Why do Graffiti Writers Write on Murals? The Birth, Life, and Slow Death of Freeway Murals in Los Angeles," International Journal of Urban and Regional Research, Wiley Blackwell, vol. 40(2), pages 451-471, March.

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