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The Photograph in Theory

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  • Elizabeth Chaplin

Abstract

This article gives an account of an ethnographic project which relied on the use of photography: the project involved taking photographs, asking for responses to them, and then analysing both photos and responses. Anything that plays a central role in an ethnographic project requires theoretical consideration. So, as the account of the project proceeds, the photos are considered from different theoretical viewpoints; and an emerging and subsequently recurring theme is the tension between what a photo shows and what a photo means. Discussion of this tension develops into a more general critique of the ways photos are theorised in social science. I conclude that the photograph in social science theory is at present a sad phenomenon, and that in order to remedy this situation, we should seek help from outside social science.

Suggested Citation

  • Elizabeth Chaplin, 2005. "The Photograph in Theory," Sociological Research Online, , vol. 10(1), pages 141-177, June.
  • Handle: RePEc:sae:socres:v:10:y:2005:i:1:p:141-177
    DOI: 10.5153/sro.964
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    Cited by:

    1. Stephen Spencer, 2012. "Looking for Africville - Complementary Visual Constructions of a Contended Space," Sociological Research Online, , vol. 17(1), pages 29-46, February.
    2. Terence Heng, 2011. "Recent Methodological Opportunities in Online Hypermedia – a Case Study of Photojournalism in Singapore," Sociological Research Online, , vol. 16(2), pages 59-72, June.

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