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European Music After 1945 as a Restricted Space of Enunciation

Author

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  • António Pinho Vargas

Abstract

In this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in the new music field in Europe as a construction regulated and dominated by the core countries, critically seen from the vantage point of observation of a peripheral and subaltern country of Europe.

Suggested Citation

  • António Pinho Vargas, 2012. "European Music After 1945 as a Restricted Space of Enunciation," SAGE Open, , vol. 2(2), pages 21582440124, May.
    • Handle: RePEc:sae:sagope:v:2:y:2012:i:2:p:2158244012446995
    DOI: 10.1177/2158244012446995
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