Author
Abstract
Listening to music can be a rewarding experience for many. Research has shown that multiple factors influence musical reward including personality, age, and musical expertise. However, the role of culture in shaping musical reward remains underexplored. Most cross-cultural studies in music psychology have compared individuals from different countries. This study adopted a novel approach by examining self-construal, an individual-level explanation for cultural differences, in relation to musical rewards associated with favourite music across cultures. A cross-sectional online questionnaire was administered to 435 participants. Results from the multilevel regression analyses, using the two-dimensional model of self-construal, revealed that only within-region variation of interdependent and independent self-construals, not between-region variation of interdependence and independence, were positively associated with musical reward. Specifically, both self-construals were associated with emotion evocation and social reward, while independent self-construal was associated with musical seeking, mood regulation, and sensory-motor subtypes. When applying the eight-dimensional model of self-construal, distinct self-construal profiles emerged in relation to different musical reward subtypes, with the interdependent pole of connectedness to others positively associated with most subtypes except for emotion evocation reward. These findings provide preliminary evidence that self-construal influences the types of rewards experienced across cultures. In particular, one’s sense of self, whether construed as interdependent or independent, shapes the types of rewards experienced with favourite music. This study underscores the importance of incorporating specific cultural factors in cross-cultural research on musical reward. By examining self-construal, this work contributes to a more nuanced understanding of cultural diversity in music psychology.
Suggested Citation
Jonathan Tang, 2026.
"“I feel good… I knew that I would…”: The role of self in musical reward across cultures,"
PLOS ONE, Public Library of Science, vol. 21(1), pages 1-17, January.
Handle:
RePEc:plo:pone00:0340597
DOI: 10.1371/journal.pone.0340597
Download full text from publisher
Corrections
All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:plo:pone00:0340597. See general information about how to correct material in RePEc.
If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.
We have no bibliographic references for this item. You can help adding them by using this form .
If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: plosone (email available below). General contact details of provider: https://journals.plos.org/plosone/ .
Please note that corrections may take a couple of weeks to filter through
the various RePEc services.