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Auto-communicating micro-Orientalism: articulating ‘Denmark’ in China at the Shanghai Expo

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  • Carina Ren
  • Can-Seng Ooi

Abstract

Using the concepts of auto-communication and micro-Orientalism, this article argues that nation branding at World Expos produces and propagates notions of difference and Otherness. We examine how Denmark presents itself in China, and how the message inevitably tells how the Danish authorities view the Chinese. Using the Danish ‘Welfairytales’ pavilion at the 2010 World Expo in Shanghai, we show how the national self is performed in two versions. One attempts to communicate ‘the good Danish life’ to the Danes themselves, while the other claims Occidental superiority. The case shows how the Danish exhibition is performed and regulated as sustainable and authentic and how in spite of its seemingly dialogical and interactive layout, a number of auto-communicative and micro-Orientalist practices are enacted. This study is based on field participation, observations and interviews. Public sources of information are also used. Copyright Springer-Verlag Berlin Heidelberg 2013

Suggested Citation

  • Carina Ren & Can-Seng Ooi, 2013. "Auto-communicating micro-Orientalism: articulating ‘Denmark’ in China at the Shanghai Expo," Asia Europe Journal, Springer, vol. 11(2), pages 129-145, June.
    • Handle: RePEc:kap:asiaeu:v:11:y:2013:i:2:p:129-145
    DOI: 10.1007/s10308-013-0346-6
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    References listed on IDEAS

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    1. Chin-Ee Ong & Hilary du Cros, 2012. "Projecting Post-colonial Conditions at Shanghai Expo 2010, China: Floppy Ears, Lofty Dreams and Macao’s Immutable Mobiles," Urban Studies, Urban Studies Journal Limited, vol. 49(13), pages 2937-2953, October.
    2. Burke, Edmund III, 1998. "Orientalism and World History: Representing Middle Eastern Nationalism and Islamism in the Twentieth Century," Center for Global, International and Regional Studies, Working Paper Series qt40d0j6hq, Center for Global, International and Regional Studies, UC Santa Cruz.
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