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Positive Science, Normative Man: Lionel Robbins and the Political Economy of Art


  • Márcia Balisciano
  • Steven G. Medema


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  • Márcia Balisciano & Steven G. Medema, 1999. "Positive Science, Normative Man: Lionel Robbins and the Political Economy of Art," History of Political Economy, Duke University Press, vol. 31(5), pages 256-284, Supplemen.
  • Handle: RePEc:hop:hopeec:v:31:y:1999:i:5:p:256-284

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    References listed on IDEAS

    1. Ghislain Deleplace, 1994. "Aux origines de la pensée monétaire moderne," Revue Économique, Programme National Persée, vol. 45(5), pages 1125-1136.
    2. Rod O'Donnell, 1992. "The Unwritten Books and Papers of J. M. Keynes," History of Political Economy, Duke University Press, vol. 24(4), pages 767-817, Winter.
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    Cited by:

    1. Antoinette Baujard, 2013. "Value judgments and economics expertise," Working Papers 1314, Groupe d'Analyse et de Théorie Economique Lyon St-Étienne (GATE Lyon St-Étienne), Université de Lyon.
    2. Atsushi Komine & Fabio Masini, 2011. "The Diffusion of Economic Ideas: Lionel Robbins in Italy and Japan," Chapters,in: The Dissemination of Economic Ideas, chapter 9 Edward Elgar Publishing.
    3. Pinto, Hugo, 2009. "A Economia em Ebulição: Integrando o Plural e a Moral numa Ciência Económica Satisfatória
      [Economics in Turmoil: Integrating Moral and Plural in a Satisfactory Economic Science]
      ," MPRA Paper 18718, University Library of Munich, Germany.

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    art; Lionel Robbins;


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