Author
Listed:
- Xingyue Wang
(School of Industrial Design, Hubei University of Technology, Wuhan 430068, China)
- Dehua Xu
(School of Industrial Design, Hubei University of Technology, Wuhan 430068, China)
- Wenhan Yang
(School of Industrial Design, Hubei University of Technology, Wuhan 430068, China)
- Kehong Deng
(School of Industrial Design, Hubei University of Technology, Wuhan 430068, China)
- Yuxin Xie
(School of Industrial Design, Hubei University of Technology, Wuhan 430068, China)
- Yexin Chen
(School of Industrial Design, Hubei University of Technology, Wuhan 430068, China)
Abstract
Against the backdrop of accelerating globalization and industrialization, traditional handicrafts embedded in specific socio-cultural contexts are facing critical challenges, including a decline in inheritors, shrinking market demand, and increasing disconnection from modern lifestyles. Promoting their integration into contemporary society while preserving cultural authenticity and ensuring their sustainable transmission and development has become a key issue in Intangible Cultural Heritage (ICH) revitalization. This study takes woodcarving in Qianjiang, Hubei Province, China, as a case study to explore transformation pathways for traditional handicrafts in the context of modern consumption. Questionnaire surveys were conducted to examine tourists’ preferences for cultural and creative products, and a user demand framework was constructed based on the three-level emotional model. The Analytic Hierarchy Process (AHP) and Decision-Making Trial and Evaluation Laboratory (DEMATEL) methods were employed to identify key influencing factors and their interrelationships. The results reveal significant differences among target groups in terms of cultural identity, emotional experience, and purchase intention. Based on these findings, a systematic framework of “demand identification–design concept–implementation strategy” is proposed to guide the sustainable design and development of traditional handicraft products. Furthermore, this study explores the integration of traditional craftsmanship with digital production to balance production efficiency and cultural expression. This research contributes to the theoretical development of ICH revitalization and provides practical insights for the cultivation of sustainable cultural and creative industries.
Suggested Citation
Xingyue Wang & Dehua Xu & Wenhan Yang & Kehong Deng & Yuxin Xie & Yexin Chen, 2026.
"Sustainable Translation Pathways for Traditional Handicrafts: A Case Study of Qianjiang Woodcarving,"
Sustainability, MDPI, vol. 18(9), pages 1-23, May.
Handle:
RePEc:gam:jsusta:v:18:y:2026:i:9:p:4566-:d:1935975
Download full text from publisher
Corrections
All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:gam:jsusta:v:18:y:2026:i:9:p:4566-:d:1935975. See general information about how to correct material in RePEc.
If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.
We have no bibliographic references for this item. You can help adding them by using this form .
If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.
For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: MDPI Indexing Manager (email available below). General contact details of provider: https://www.mdpi.com .
Please note that corrections may take a couple of weeks to filter through
the various RePEc services.