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The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord’s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture

Author

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  • Konstantinos Moraitis

    (School of Architecture, National Technical University of Athens (NTUA), 8A Hadjikosta Str., 11521 Athens, Greece)

Abstract

An evaluation of landscape tradition, in Near and Middle East area, could emphasize a profound past of agricultural experience, as well as of landscape and garden art. In reference to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting the construction of a villa, with its surrounding gardens and landscape formations, in the territory of Euphrates River. This song refers to Vasilios Digenes Akritas or ‘Border Lord’, a legendary hero of mixed Byzantine-Greek and Arab blood; ‘Digenes’ meaning a person of dual genes, both of Byzantine and Arabic origin, and ‘Akritas’ an inhabitant of the borderline. At the end of the narration of the song, contemporary reader feels skeptical. Was modern landscape and garden art born in the European continent or was it transferred to Western world through an eastern originated lineage of Byzantine and Arabic provenance?

Suggested Citation

  • Konstantinos Moraitis, 2018. "The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord’s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture," Land, MDPI, vol. 7(1), pages 1-12, February.
    • Handle: RePEc:gam:jlands:v:7:y:2018:i:1:p:28-:d:133485
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    Cited by:

    1. Ioannis N. Vogiatzakis & Theano S. Terkenli & Maria Gabriella Trovato & Nizar Abu-Jaber, 2018. "Landscapes in the Eastern Mediterranean between the Future and the Past," Land, MDPI, vol. 7(4), pages 1-5, December.

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