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Designing fees for music copyright holders in radio services

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Listed:
  • Roberto Bombana
  • Carla Marchese

Abstract

This paper investigates which is the most desirable payment schedule, from a social welfare standpoint, for compensating IPR holders for music broadcast by radio stations. A model of a radio station that acts as a monopoly with respect to listeners and sells ads in a competitive market is presented. Two types of fees, ad valorem and per unit, are examined. Exploiting the similarity between taxes and fees, we extend results from taxation theory in two-sided markets to show that the case where only one side (i.e. advertisers) pays, while the other (the listeners) receives the service for free, differs somewhat from the case thus far considered by the literature, in which both sides pay. The results mildly support the prevailing regulatory approach, based on ad valorem fees.

Suggested Citation

  • Roberto Bombana & Carla Marchese, 2014. "Designing fees for music copyright holders in radio services," ECONOMIA E POLITICA INDUSTRIALE, FrancoAngeli Editore, vol. 2014(2), pages 5-19.
  • Handle: RePEc:fan:polipo:v:html10.3280/poli2014-002001
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    References listed on IDEAS

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    More about this item

    Keywords

    Regolamentazione; radio; agenzie di riscossione; tariffe per i diritti di proprietà intellettuale;

    JEL classification:

    • H23 - Public Economics - - Taxation, Subsidies, and Revenue - - - Externalities; Redistributive Effects; Environmental Taxes and Subsidies
    • H44 - Public Economics - - Publicly Provided Goods - - - Publicly Provided Goods: Mixed Markets
    • L82 - Industrial Organization - - Industry Studies: Services - - - Entertainment; Media

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