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La Pesadilla De Honorio. El Teatro Japonés Que “Soñó” Ruben Darío


  • Fernando Cid Lucas


En el presente trabajo se realizará un pequeño estudio, desde un punto de vista eminente teatral, de las imágenes y alusiones al mundo escénico en este pequeño relato del escritor Nicaragüense Rubén Darío (1867-1916). Realizaremos un especial hincapié en las breves, pero muy interesantes, alusiones al Japón y a las máscaras del Noh que se le aparecen al protagonista del relato darioniano.

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  • Fernando Cid Lucas, 2011. "La Pesadilla De Honorio. El Teatro Japonés Que “Soñó” Ruben Darío," Observatorio Iberoamericano de la Economía y la Sociedad del Japón, Grupo (Universidad de Málaga), issue 10, January.
  • Handle: RePEc:erv:obsjap:y:2011:i:10:5

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    Composición; Modernismo; Noh; onirismo; poética;


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