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La Pesadilla De Honorio. El Teatro Japonés Que “Soñó” Ruben Darío

Listed author(s):
  • Fernando Cid Lucas
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    En el presente trabajo se realizará un pequeño estudio, desde un punto de vista eminente teatral, de las imágenes y alusiones al mundo escénico en este pequeño relato del escritor Nicaragüense Rubén Darío (1867-1916). Realizaremos un especial hincapié en las breves, pero muy interesantes, alusiones al Japón y a las máscaras del Noh que se le aparecen al protagonista del relato darioniano.

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    Article provided by Grupo (Universidad de Málaga) in its journal Observatorio Iberoamericano de la Economía y la Sociedad del Japón.

    Volume (Year): (2011)
    Issue (Month): 10 (January)

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    Handle: RePEc:erv:obsjap:y:2011:i:10:5
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