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Realismo grotesco en el cine postsoviético y su perspectiva pluralista de la identidad nacional rusa

Author

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  • Anna Borisova

Abstract

La transición cultural provocada por las políticas de Perestroika enfrentó el pueblo ruso a la tarea de replantear su identidad nacional basada hasta entonces en la ideología soviética. El presente estudio ofrece una aproximación interdisciplinar a la tendencia cinematográfica que surge en este contexto como heredera del género literario “realismo grotesco†. El análisis de su discurso fílmico revela su apuesta por un modelo de subjetivación basado en el diálogo entre los enfoques vitales plurales inherentes a la sociedad actual, ofreciendo alternativa a la unificación nacionalista.

Suggested Citation

  • Anna Borisova, 2019. "Realismo grotesco en el cine postsoviético y su perspectiva pluralista de la identidad nacional rusa," Arte y sociedad. Revista de investigación, Servicios Académicos Intercontinentales SL, issue 16, January.
    • Handle: RePEc:erv:aysays:y:2019:i:16:13
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