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Miradas desde el umbral: el voyeurismo en la obra de Edward Hopper y Alfred Hitchcock

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  • Irene Marina Pérez Méndez

Abstract

Las correspondencias entre el universo pictórico de Edward Hopper y la narración construida de Alfred Hitchcock en La ventana indiscreta (Rear Window, 1954) superan lo estético y se explican en una clara voluntad de explorar las relaciones entre el arte y el espectador. Este artículo indaga en las ventanas, físicas y simbólicas, como espacios fronterizos pensados para observar desde fuera. Alejados del relato cinematográfico y del marco plástico, todos somos voyeurs obligados a mirar.

Suggested Citation

  • Irene Marina Pérez Méndez, 2017. "Miradas desde el umbral: el voyeurismo en la obra de Edward Hopper y Alfred Hitchcock," Arte y sociedad. Revista de investigación, Servicios Académicos Intercontinentales SL, issue 13, October.
  • Handle: RePEc:erv:aysays:y:2017:i:13:12
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