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La Metaforicidad Y La Copia En El Arte Mãšltiple

Author

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  • Hortensia Mínguez García

Abstract

El presente texto indaga cómo el concepto de copia ha cambiado conforme al perspectivismo de cada época, primero desde una concepción peyorativa en la que la copia se delimitaba a los paradigmas de la filosofía clásica para la cual la verdadera experiencia estética sólo acontecía conforme a lo aurático de lo único, en contraposición con nuestro pensamiento actual inherente a la cultura de la copia. Finalmente, se anota cómo la relativización del concepto de copia es un tema recurrente para aquellos artistas que, a través del pensamiento metafórico, buscan generar discursos críticos acerca de las paradojas inmanentes a la cultura de la copia en la actualidad.

Suggested Citation

  • Hortensia Mínguez García, 2016. "La Metaforicidad Y La Copia En El Arte Mãšltiple," Arte y sociedad. Revista de investigación, Servicios Académicos Intercontinentales SL, issue 11, october.
    • Handle: RePEc:erv:aysays:y:2016:i:11:15
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