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Film and Tradition: Female Representation in Northern Ghanaian Cinema

Author

Listed:
  • Abdul Rashid Gbambu

    (Lecturer, Department of Communication, Faculty of Arts, Islamic University College, Ghana (IUCG), Accra, Ghana)

  • Sunday Olayinka Alawode

    (Dean and Professor, Department of Broadcasting, Faculty of Communication and Media Studies (FCMS), Lagos State University, Ojo, Lagos, Nigeria)

  • Mohammed Kassim

    (Director of Academic Affairs, Depart- ment of Religious Studies, Faculty of Arts (Humanities), Islamic University College, Ghana (IUCG), Accra, Ghana)

Abstract

This paper critically examines the representation of women in Northern Ghanaian films, focusing on the Dagbang cultural context. Using a qualitative approach involving in-depth interviews with 15 filmmakers and analysis of four selected films, the research reveals that many films reinforce patriarchal norms by depicting women in subordinate roles. However, a key finding indicates that these portrayals are not intended to degrade women, but rather to highlight how Dagbang culture views women and female children. As such, these films serve as advocacy tools aligned with SDGs 5 and 16, while also offering critical reflections on cultural attitudes. In this paper, we argue that development in the Dagbong cultural setting can only be achieved when there is inclusivity of all members of the community, including women. The study underscores the importance of fostering more equitable portrayals of women in cinema to promote gender equality anddevelopment.

Suggested Citation

  • Abdul Rashid Gbambu & Sunday Olayinka Alawode & Mohammed Kassim, 2025. "Film and Tradition: Female Representation in Northern Ghanaian Cinema," European Journal of Humanities and Social Sciences, European Open Science, vol. 5(1), pages 8-21, January.
    • Handle: RePEc:epw:social:v:5:y:2025:i:1:id:18573
    DOI: 10.24018/ejsocial.2025.5.1.573
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