The Market for Paintings in Italy During the Seventeenth Century
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- Federico Etro & Laura Pagani, 2012. "The Market for Paintings in Italy during the Seventeenth Century," Working Papers 217, University of Milano-Bicocca, Department of Economics, revised Jan 2012.
References listed on IDEAS
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Citations
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Cited by:
- Etro, Federico & Marchesi, Silvia & Stepanova, Elena, 2020.
"Liberalizing art. Evidence on the Impressionists at the end of the Paris Salon,"
European Journal of Political Economy, Elsevier, vol. 62(C).
- Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art. Evidence on the Impressionists at the end of the Paris Salon," LEM Papers Series 2018/25, Laboratory of Economics and Management (LEM), Sant'Anna School of Advanced Studies, Pisa, Italy.
- Federico Etro & Silvia Marchesi & Elena Stepanova, 2019. "Liberalizing Art. Evidence on the Impressionists at the end of the Paris Salon," Working Papers - Economics wp2019_22.rdf, Universita' degli Studi di Firenze, Dipartimento di Scienze per l'Economia e l'Impresa.
- Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art. Evidence on the Impressionists at the end of the Paris Salon," Working Papers 2018:20, Department of Economics, University of Venice "Ca' Foscari".
- Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art: Evidence on the Impressionists at the end of the Paris Salon," Working Papers 386, University of Milano-Bicocca, Department of Economics, revised May 2019.
- Federico Etro & Silvia Marchesi & Elena Stepanova, 2020. "Liberalizing Art: Evidence on the Impressionists at the end of the Paris Salon," Working Papers 432, University of Milano-Bicocca, Department of Economics, revised Feb 2020.
- Federico Etro & Silvia Marchesi & Elena Stepanova, 2018. "Liberalizing Art Evidence on the Impressionists at the end of the Paris Salon," Working Papers CEB 18-028, ULB -- Universite Libre de Bruxelles.
- Elena Stepanova, 2019.
"The impact of color palettes on the prices of paintings,"
Empirical Economics, Springer, vol. 56(2), pages 755-773, February.
- Elena Stepanova, 2017. "The impact of color palettes on the prices of paintings," LEM Papers Series 2017/25, Laboratory of Economics and Management (LEM), Sant'Anna School of Advanced Studies, Pisa, Italy.
- Hellmanzik, Christiane, 2016. "Historic art exhibitions and modern - day auction results," Research in Economics, Elsevier, vol. 70(3), pages 421-430.
- Federico Etro & Elena Stepanova, 2017.
"Art Auctions and Art Investment in the Golden Age of British Painting,"
Scottish Journal of Political Economy, Scottish Economic Society, vol. 64(2), pages 191-225, May.
- Federico Etro & Elena Stepanova, 2016. "Art Auctions and Art Investment in the Golden Age of British Painting," LEM Papers Series 2016/34, Laboratory of Economics and Management (LEM), Sant'Anna School of Advanced Studies, Pisa, Italy.
- Federico Etro & Silvia Marchesi & Laura Pagani, 2015.
"The Labor Market In The Art Sector Of Baroque Rome,"
Economic Inquiry, Western Economic Association International, vol. 53(1), pages 365-387, January.
- Federico Etro & Silvia Marchesi & Laura Pagani, 2013. "The Labor Market in the Art Sector of Baroque Rome," ACEI Working Paper Series AWP-03-2013, Association for Cultural Economics International, revised Sep 2013.
- Ma, Marshall (Xiaoyin) & Noussair, Charles & Renneboog, Luc, 2019.
"Colors, Emotions, and the Auction Value of Paintings,"
Other publications TiSEM
b628fa65-83cf-41c8-b321-d, Tilburg University, School of Economics and Management.
- Ma, Marshall (Xiaoyin) & Noussair, Charles & Renneboog, Luc, 2019. "Colors, Emotions, and the Auction Value of Paintings," Discussion Paper 2019-006, Tilburg University, Center for Economic Research.
- Borowiecki, Karol Jan, 2019.
"The Origins of Creativity: The Case of the Arts in the United States since 1850,"
Discussion Papers of Business and Economics
11/2019, University of Southern Denmark, Department of Business and Economics.
- Karol Jan BOROWIECKI, 2019. "The Origins of Creativity: The Case of the Arts in the United States since 1850," Trinity Economics Papers tep0219, Trinity College Dublin, Department of Economics.
- Karol J. Borowiecki, 2019. "The Origins of Creativity: The Case of the Arts in the United States since 1850," ACEI Working Paper Series AWP-02-2019, Association for Cultural Economics International, revised Mar 2019.
- Borowiecki, Karol Jan, 2019. "The Origins of Creativity: The Case of the Arts in the United States since 1850," Discussion Papers of Business and Economics 3/2019, University of Southern Denmark, Department of Business and Economics.
- Federico Etro & Elena Stepanova, 2017.
"Art collections and taste in the Spanish Siglo de Oro,"
Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 41(3), pages 309-335, August.
- Federico Etro & Elena Stepanova, 2015. "Art Collections and Taste in the Spanish Siglo de Oro," LEM Papers Series 2015/07, Laboratory of Economics and Management (LEM), Sant'Anna School of Advanced Studies, Pisa, Italy.
- Federico Etro & Elena Stepanova, 2015. "Art Collections and Taste in the Spanish Siglo de Oro," Working Papers 2015:06, Department of Economics, University of Venice "Ca' Foscari".
- Karol Jan Borowiecki, 2015.
"Historical origins of cultural supply in Italy,"
Oxford Economic Papers, Oxford University Press, vol. 67(3), pages 781-805.
- Karol Jan BOROWIECKI, 2012. "History Matters: The Origins of Cultural Supply in Italy," Trinity Economics Papers tep0312, Trinity College Dublin, Department of Economics.
- Borowiecki, Karol Jan, 2015. "Historical origins of cultural supply in Italy," Discussion Papers of Business and Economics 3/2015, University of Southern Denmark, Department of Business and Economics.
- Borowiecki, Karol Jan, 2012. "History matters: The origins of cultural supply in Italy," Discussion Papers of Business and Economics 15/2012, University of Southern Denmark, Department of Business and Economics.
- Federico Etro & Silvia Marchesi & Laura Pagani, 2011.
"The Labor Market in the Seventeenth-Century Italian Art Sector,"
Working Papers
215, University of Milano-Bicocca, Department of Economics, revised Nov 2011.
- Federico Etro & Silvia Marchesi & Laura Pagani, 2011. "The Labor Market in the Seventeenth-Century Italian Art Sector," Working Papers 2011_23, Department of Economics, University of Venice "Ca' Foscari".
- Federico Etro & Laura Pagani, 2013. "The market for paintings in the Venetian Republic from Renaissance to Rococò," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 37(4), pages 391-415, November.
- Federico Etro & Elena Stepanova, 2016.
"Entry of painters in the Amsterdam market of the Golden Age,"
Journal of Evolutionary Economics, Springer, vol. 26(2), pages 317-348, May.
- Federico Etro & Elena Stepanova, 2015. "Entry of Painters in the Amsterdam Market of the Golden Age," Working Papers 2015:07, Department of Economics, University of Venice "Ca' Foscari".
- Etro, Federico, 2018.
"The Economics of Renaissance Art,"
The Journal of Economic History, Cambridge University Press, vol. 78(2), pages 500-538, June.
- Federico Etro, 2017. "The Economics of Renaissance Art," Working Papers 2017:13, Department of Economics, University of Venice "Ca' Foscari".
- Federico Etro, 2018. "The Economics of Renaissance Art," Working Papers - Economics wp2018_19.rdf, Universita' degli Studi di Firenze, Dipartimento di Scienze per l'Economia e l'Impresa.
- Federico Etro & Elena Stepanova, 2015. "The Market for Paintings in Paris between Rococo and Romanticism," Kyklos, Wiley Blackwell, vol. 68(1), pages 28-50, February.
- Cellini, Roberto & Cuccia, Tiziana, 2014. "The artist–art dealer relationship as a marketing channel," Research in Economics, Elsevier, vol. 68(1), pages 57-69.
- Pownall, Rachel A.J. & Graddy, Kathryn, 2016. "Pricing color intensity and lightness in contemporary art auctions," Research in Economics, Elsevier, vol. 70(3), pages 412-420.
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