Going Underground: The Author’s Body and the Mining Workplace in the Writing about Miners in Modern China

This article highlights the author’s body and its physical experience in labor history, by a focus on their historical implication for the emergence of writings about miners in late-nineteenth- and early-twentieth century China. Miners and their workplace entered Chinese textual and pictorial representations at the turn of the twentieth century, as a result of the growing importance of the mining industry, the dissemination of new mining knowledge, and the formation of new social groups. Later in the 1920s, literary movements tied up with the revolutionary agenda under the influence of Marxism brought new conceptualizations of miners’ position in society and their relationship with intellectuals. When authors turned to write about miners in the late 1920s and early 1930s, they chose to legitimize their writing by descending into mine shafts to acquire the experience in the underground mining workplace and to incorporate the bodily experience into their writings. The mining lamp in texts and images from this period provides a prime example to illustrate how the author’s experience in the underground mine was embodied in the author’s and the miner’s corporeal visions and contributed a new way of seeing and representing miners. Drawing upon materials about miners of various genres, this article reveals the formulation of Chinese visual modernity within Chinese social interactions and brings the author’s body into labor history by calling attention to both its material presence in the workplace and its agentic power to inscribe workers.