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The Birth of a Business Icon through Cultural Branding: Ferrari and the Prancing Horse, 1923–1947

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  • Aversa, Paolo
  • Schreiter, Katrin
  • Guerrini, Filippo

Abstract

This article examines the origin of the “Prancing Horse” symbol and its role in helping the racing team Ferrari survive under the fascist regime in Italy. Enzo Ferrari, the company’s founder, adopted the coat of arms of Francesco Baracca, the most renowned Italian military aviator during World War I, as the logo of his new racing team. By repurposing it from military aviation to motorsport, he benefitted from powerful cultural associations and strong political and cultural endorsement of Baracca’s persona. Drawing from scholarship on cultural branding and consumer culture, this study shows how new companies can establish powerful business icons by borrowing symbols connected to populist worlds and national ideologies, and transferring them to various industries. Strategic repurposing thus emerges as a distinct process within cultural branding to obtain institutional support and establish powerful brand identities in challenging contexts.

Suggested Citation

  • Aversa, Paolo & Schreiter, Katrin & Guerrini, Filippo, 2023. "The Birth of a Business Icon through Cultural Branding: Ferrari and the Prancing Horse, 1923–1947," Enterprise & Society, Cambridge University Press, vol. 24(1), pages 28-58, March.
    • Handle: RePEc:cup:entsoc:v:24:y:2023:i:1:p:28-58_3
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