IDEAS home Printed from https://ideas.repec.org/a/cog/meanco/v5y2017i3p15-27.html
   My bibliography  Save this article

Fan (Fiction) Acting on Media and the Politics of Appropriation

Author

Listed:
  • Wolfgang Reißmann

    (Collaborative Research Center “Media of Cooperation”, University of Siegen, Germany)

  • Moritz Stock

    (Collaborative Research Center “Media of Cooperation”, University of Siegen, Germany)

  • Svenja Kaiser

    (Collaborative Research Center “Media of Cooperation”, University of Siegen, Germany)

  • Vanessa Isenberg

    (Collaborative Research Center “Media of Cooperation”, University of Siegen, Germany)

  • Jörg-Uwe Nieland

    (Collaborative Research Center “Media of Cooperation”, University of Siegen, Germany)

Abstract

Fanfiction is the creative appropriation and transformation of existing popular media texts by fans who take stories, worlds and/or characters as starting points and create their own stories based on them. As a cultural field of practice, fanfiction questions prevalent concepts of individual authorship and proprietary of cultural goods. At the same time, fanfiction itself is challenged. Through processes of mediatization, fanfiction grew and became increasingly visible. Third parties, ranging from the media industry (e.g., film studios) and copyright holders to journalism and academia, are interested in fanfiction and are following its development. We regard fanfiction communities and fan acting as fields for experimentation and as discursive arenas which can help understand what appropriating, writing and publishing in a digital culture and the future of writing might look like. In this paper, we outline important debates on the legitimacy and nature of fanfiction and present preliminary results of current research within Germany.

Suggested Citation

  • Wolfgang Reißmann & Moritz Stock & Svenja Kaiser & Vanessa Isenberg & Jörg-Uwe Nieland, 2017. "Fan (Fiction) Acting on Media and the Politics of Appropriation," Media and Communication, Cogitatio Press, vol. 5(3), pages 15-27.
  • Handle: RePEc:cog:meanco:v:5:y:2017:i:3:p:15-27
    as

    Download full text from publisher

    File URL: https://www.cogitatiopress.com/mediaandcommunication/article/view/990
    Download Restriction: no
    ---><---

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Sigrid Kannengießer & Sebastian Kubitschko, 2017. "Acting on Media: Influencing, Shaping and (Re)Configuring the Fabric of Everyday Life," Media and Communication, Cogitatio Press, vol. 5(3), pages 1-4.

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:cog:meanco:v:5:y:2017:i:3:p:15-27. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    We have no bibliographic references for this item. You can help adding them by using this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: António Vieira (email available below). General contact details of provider: https://www.cogitatiopress.com/ .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.