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Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany

Author

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  • Lothar Mikos

    (Department of Media Studies, Filmuniversity Babelsberg Konrad Wolf, Germany)

Abstract

The advancing digitalization and media convergence demands TV broadcasting companies to adjust their content to various platforms and distribution channels. The internet, as convergent carrier medium, is increasingly taking on a central role for additional media. Classical linear TV is still important, but for some audiences it has been developing from a primary medium to a secondary medium. Owing to the growing melding of classical-linear TV contents with online offerings (e.g. video-on-demand platforms or Web–TV), a great dynamic can be seen which has triggered numerous discussions about the future of TV for some time now. This article will summarize the results of two different audience studies. Film and television shows are meanwhile distributed online via Video-on-Demand platforms such as Netflix or Amazon Prime Video. The first audience study has dealt with the use of VoD-platforms in Germany investigating user rituals, user motivation to watch films and TV shows on these platforms, and the meaning of VoD in everyday life. Most of the participants in this study reported that they mainly watch TV drama series at Netflix or Amazon Prime. Therefore, the second audience study focused the online use of television drama series of individuals and couples elaborating the phenomenon of binge watching. In relating the audience practice to the new structures of the television market the article will shed light on the future of television.

Suggested Citation

  • Lothar Mikos, 2016. "Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany," Media and Communication, Cogitatio Press, vol. 4(3), pages 154-161.
    • Handle: RePEc:cog:meanco:v:4:y:2016:i:3:p:154-161
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    Citations

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    Cited by:

    1. Rasha Allam & Hesham Dinana, 2021. "The Future of TV and Online Video Platforms: A Study on Predictors of Use and Interaction with Content in the Egyptian Evolving Telecomm, Media & Entertainment Industries," SAGE Open, , vol. 11(3), pages 21582440211, August.
    2. Feiereisen, Stephanie & Rasolofoarison, Dina & De Valck, Kristine & Schmitt, Julien, 2019. "Understanding emerging adults' consumption of TV series in the digital age: A practice-theory-based approach," Journal of Business Research, Elsevier, vol. 95(C), pages 253-265.
    3. Noelia Araújo Vila & Jose Antonio Fraiz Brea & Lucília Cardoso, 2019. "The Influence of Sociodemographic Variables on Audiovisual Consumption: The Case of Spain," Social Sciences, MDPI, vol. 8(8), pages 1-17, August.
    4. Song, Lianlian & Zhang, Qiuxiang & Hu, Baixue & Mou, Jian, 2022. "To resist or to purchase: The causal mechanism of binge-watching and program purchase," Journal of Retailing and Consumer Services, Elsevier, vol. 68(C).
    5. Gänßle, Sophia & Kunz-Kaltenhaeuser, Philipp, 2020. "What drives binge-watching? An economic theory and analysis of impact factors," Ilmenau Economics Discussion Papers 138, Ilmenau University of Technology, Institute of Economics.
    6. Giuseppe Forte & Francesca Favieri & Maria Casagrande & Renata Tambelli, 2023. "Personality and Behavioral Inhibition/Activation Systems in Behavioral Addiction: Analysis of Binge-Watching," IJERPH, MDPI, vol. 20(2), pages 1-9, January.

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