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(Pré)financer des films et des spectacles. Stratégies et ajustements dans le travail de production

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  • Laure de Verdalle

Abstract

In the French context, cinema and the performing arts are mainly characterised by a logic of pre-financing projects. This article focuses on the close articulation of economic and artistic logics during the creative process by showing how two professional groups, producers and administrators, organise the gradual aggregation of the different partners whose involvement enables the production of films and performances, but also contributes to their final form.

Suggested Citation

  • Laure de Verdalle, 2022. "(Pré)financer des films et des spectacles. Stratégies et ajustements dans le travail de production," Regards croisés sur l'économie, La Découverte, vol. 0(1), pages 201-208.
    • Handle: RePEc:cai:rcedec:rce_030_0201
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