Copper and the evolution of space in high modernist America and Japan

This essay makes a neo-materialist analysis of the extraction and use of copper in the first half of the twentieth century, using two sites as empirical examples, one American and the other Japanese. By moving beyond the modernist dichotomies that separate mine and city, nature and technology, and the “natural” and built environment, I argue that copper has played a central role in creating modern human spatial relationships and associated cultures. I offer two specific examples. First, the extraction of copper and the resulting pollution challenged the modern capitalist idea that material things could be abstracted into idealized commodities of exchange that were spatially distinct from their places of origin and each other. In actual historical practice, though, this abstracted space of global commodity exchange was repeatedly undermined by local spaces where real commodities often interacted in unanticipated ways. Second, once this extracted copper was formed into far-flung networks of wires, it challenged earlier spatial concepts in which the burning of coal or other energy-rich materials had always occurred very near to the site where the resulting power would be used. By creating what Manuel Castells’ terms a “space of flow” in which power could be instantaneously transmitted over long distances, copper wires created the illusion of an immaterial and even placeless source of power. Ironically, though, this immaterial illusion could only be sustained by surrounding humans with large amounts of very real copper wires. In both of these examples, the extraction and use of copper shaped human space and societies in unanticipated ways, challenging the modernist assumption that humans could fully understand and control the material things they extracted from nature and embedded in their built environments.