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Abstract
The Niger delta of Nigeria has been besieged by a lot of crises, which have posed serious security risks to the region. This has adversely and seriously affected not only the region, but Nigeria in general. The processes of crude oil extraction in the Niger delta have resulted in ecological degradation and oil pollutions, thereby doing a lot of damages to the farmlands and fishing waters of the people, whose major occupations are farming and fishing. Petroleum, the main source of Nigeria’s revenue is obtained in the Niger delta. Yet, Deltans are confronted with a lot of problems; they are impoverished, exploited, neglected and marginalized despite the economic value of the region to the Nigerian economy. No serious or commensurate efforts are made by the government or the multinational oil companies operating in the region to compensate the people for the losses they suffer through oil pollutions. This has resulted in a lot of protests and violence, culminating in the social unrest in the region. To this effect, there have been reactions to the crises in diverse ways. Though such efforts have yielded little dividends, the crises have persisted. Niger delta deserves priority attention in terms of human and infrastructural developments. In the literary circle, some Nigerian literary artists have expressed concern over the issue with a view to creating awareness on the seriousness of the crises, and advancing suggestions that will proffer permanent solutions to the problems. This paper examines and expounds how Helon Habila deploys the mood system as a language tool in his novel, Oil on Water, to address the Niger Delta crises. He advances suggestions to put an end to the crises in order to restore peace, and enhance sustainable development in Nigeria.
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