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She’s Everything, He’s just Ken: A Comprehensive Analysis of Barbie (2023)

Author

Listed:
  • Abdelhakim El-Mengad

    (PhD Researcher, Department of English Studies, Sidi Mohamed Ben Abdellah University, Fes, Morocco)

  • Samira CHAKROUNE

    (Associate Professor, Department of English Studies, Faculty of Letters and Human Sciences Sais (FLSH), Sidi Mohamed Ben Abdellah University (USMBA), Fes, Morocco)

Abstract

This article provides a comprehensive analysis of Barbie (2023), the fantasy comedy film, from different viewpoints utilizing thematic analysis brushing upon several aspects like the narrative and theme, aesthetics of the film, representation of the female and male characters, body image and beauty standards, gender stereotypes in Barbie’s opening scene, and the reception of the film in Arab countries. The findings of the article reveal that this film effectively challenges traditional gender stereotypes and promotes female empowerment through its themes. Additionally, as an international film, it reflects diverse cultural receptions and impacts as it not only shapes but also clashes with local cultures and raises debates about cultural differences and representations.

Suggested Citation

  • Abdelhakim El-Mengad & Samira CHAKROUNE, 2025. "She’s Everything, He’s just Ken: A Comprehensive Analysis of Barbie (2023)," Journal of Gender, Culture and Society, Al-Kindi Center for Research and Development, vol. 5(1), pages 01-11, January.
    • Handle: RePEc:alk:jgcs00:v:5:y:2025:i:1:id:8490
    DOI: 10.32996/jgcs.2025.5.1.1
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