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Künstler zwischen selbständiger und abhängiger Erwerbsarbeit

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  • Haak, Carroll

Abstract

Die Arbeitsmärkte von Künstlern sind seit Jahrzehnten durch ein kontinuierliches Wachstum an erwerbstätigen Künstlern gekennzeichnet. Ein differenzierter Blick auf diese Arbeitsmärkte verdeutlicht allerdings die Dimensionen, in denen sich dieses Wachstum bewegt. Im Kultursektor werden abhängige Beschäftigungsverhältnisse abgebaut, unbefristete Stellen werden zugunsten befristeter Beschäftigungsverhältnisse zurückgenommen. Insgesamt geht die abhängige Beschäftigung zugunsten der Selbständigkeit zurück. Die selbständigen Künstler strömen in Deutschland in die Künstlersozialkasse, weshalb diese unter starken finanziellen Druck geraten ist. In diesem Paper wird die Entwicklung der Erwerbstätigkeit von Musikern, darstellenden Künstlern und bildenden Künstlern auf der Basis einer Analyse von Individualdaten (Mikrozensus 2000) seit den achtziger Jahren nachgezeichnet. Dabei werden spezifische Charakteristika der Erwerbsformen, insbesondere der abhängigen Beschäftigungsverhältnisse sowie der Selbständigkeit analysiert und diskutiert. An die deskriptive Datenanalyse schließen sich zwei logistische Regressionen an, anhand derer folgende Fragen beantwortet werden: Welche Faktoren determinieren die Erwerbsformen bei Künstlern? Welche sozialstrukturellen Merkmale beeinflussen das Befristungsrisiko bei den Beschäftigungsverhältnissen von Künstlern?

Suggested Citation

  • Haak, Carroll, 2005. "Künstler zwischen selbständiger und abhängiger Erwerbsarbeit," Discussion Papers, Research Unit: Labor Market Policy and Employment SP I 2005-107, WZB Berlin Social Science Center.
    • Handle: RePEc:zbw:wzblpe:spi2005107
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    References listed on IDEAS

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    1. Julio R. Robledo, 2002. "Die Kostenfaktoren der öffentlichen Theater in Deutschland: eine Untersuchung mit dem Schwerpunkt Berlin," DIW Wochenbericht, DIW Berlin, German Institute for Economic Research, vol. 69(21), pages 339-345.
    2. Françoise Benhamou, 2000. "The Opposition between Two Models of Labour Market Adjustment: The Case of Audiovisual and Performing Arts Activities in France and Great Britain over a Ten Year Period," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(4), pages 301-319, November.
    3. David Throsby, 1996. "Economic circumstances of the performing artist: Baumol and Bowen thirty years on," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 20(3), pages 225-240, September.
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    Cited by:

    1. Oliver Falck & Michael Fritsch & Stephan Heblich, 2009. "Bohemians, Human Capital, and Regional Economic Growth," CESifo Working Paper Series 2715, CESifo.
    2. Oliver Falck & Michael Fritsch & Stephan Heblich & Anne Otto, 2018. "Music in the air: estimating the social return to cultural amenities," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 42(3), pages 365-391, August.
    3. Bille, Trine & Fjællegaard, Cecilie Bryld & Frey, Bruno S. & Steiner, Lasse, 2013. "Happiness in the arts—International evidence on artists’ job satisfaction," Economics Letters, Elsevier, vol. 121(1), pages 15-18.

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