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From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case

Author

Listed:
  • Ester Alba Pagán

    (Department of Art History, Universitat de València, Av. de Blasco Ibáñez, 28, 46010 València, Valencia, Spain)

  • María del Mar Gaitán Salvatella

    (Department of Art History, Universitat de València, Av. de Blasco Ibáñez, 28, 46010 València, Valencia, Spain)

  • María Dolores Pitarch

    (Department of Art History, Universitat de València, Av. de Blasco Ibáñez, 28, 46010 València, Valencia, Spain)

  • Arabella León Muñoz

    (Garín 1820, Carrer de Ramon Villarroya, 15, 46113 Montcada, Valencia, Spain)

  • María del Mar Moya Toledo

    (EASD València, Carrer del Pintor Domingo, 20, 46001 València, Valencia, Spain)

  • José Marin Ruiz

    (EASD València, Carrer del Pintor Domingo, 20, 46001 València, Valencia, Spain)

  • Maurizio Vitella

    (Culture e Società, Università Degli Studi di Palermo, Piazza Marina, 61, 90133 Palermo, Italy)

  • Georgia Lo Cicero

    (Culture e Società, Università Degli Studi di Palermo, Piazza Marina, 61, 90133 Palermo, Italy)

  • Franz Rottensteiner

    (Institut für Photogrammetrie und GeoInformation (IPI), Leibniz Universität Hannover, Welfengarten 1, 30167 Hannover, Germany)

  • Dominic Clermont

    (Institut für Photogrammetrie und GeoInformation (IPI), Leibniz Universität Hannover, Welfengarten 1, 30167 Hannover, Germany)

  • Mareike Dorozynski

    (Institut für Photogrammetrie und GeoInformation (IPI), Leibniz Universität Hannover, Welfengarten 1, 30167 Hannover, Germany)

  • Dennis Wittich

    (Institut für Photogrammetrie und GeoInformation (IPI), Leibniz Universität Hannover, Welfengarten 1, 30167 Hannover, Germany)

  • Pierre Vernus

    (Laboratoire de Recherche Historique Rhône-Alpes (LARHRA), Université Lumière Lyon 2, 14, avenue Berthelot, F-69363 Lyon, France)

  • Marie Puren

    (Laboratoire de Recherche Historique Rhône-Alpes (LARHRA), Université Lumière Lyon 2, 14, avenue Berthelot, F-69363 Lyon, France)

Abstract

Nowadays, cultural heritage is more than ever linked to the present. It links us to our cultural past through the conscious act of preserving and bequeathing to future generations, turning society into its custodian. The appreciation of cultural heritage happens not only because of its communicative power, but also because of its economic power, through sustainable development and the promotion of creative industries. This paper presents SILKNOW, an EU-H2002 funded project and its application to cultural heritage, as well as to creative industries and design innovation. To this end, it presents the use of image recognition tools applied to cultural heritage, through the interoperability of data in the open-access registers of silk museums and its presentation, analysis and creative process carried out by the design students of EASD Valencia as a case study, in the branches of jewellery and fashion project, inspired by the heritage of silk.

Suggested Citation

  • Ester Alba Pagán & María del Mar Gaitán Salvatella & María Dolores Pitarch & Arabella León Muñoz & María del Mar Moya Toledo & José Marin Ruiz & Maurizio Vitella & Georgia Lo Cicero & Franz Rottenstei, 2020. "From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case," Sustainability, MDPI, vol. 12(19), pages 1-37, October.
    • Handle: RePEc:gam:jsusta:v:12:y:2020:i:19:p:8279-:d:425017
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    References listed on IDEAS

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    Cited by:

    1. Xu Chen & Chunhong Liu & Changchun Gao & Yao Jiang, 2021. "Mechanism Underlying the Formation of Virtual Agglomeration of Creative Industries: Theoretical Analysis and Empirical Research," Sustainability, MDPI, vol. 13(4), pages 1-21, February.
    2. Zbuchea Alexandra, 2022. "Traditional Crafts. A Literature Review Focused on Sustainable Development," Culture. Society. Economy. Politics, Sciendo, vol. 2(1), pages 10-27, June.
    3. Stefano Della Torre & Mehrnaz Rajabi, 2022. "The Restoration of St. James’s Church in Como and the Cathedral Museum as Agents for Sustainable Urban Planning Strategies," Land, MDPI, vol. 11(3), pages 1-15, March.

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