Copyright Research in the Digital Age: Moving from Piracy to the Supply of New Products
AbstractTwelve years into the Napster era, economists have devoted substantial attention to revenue consequences of unpaid file sharing. Yet, this is only one of a host of questions whose answers are needed to inform evidence-based copyright policy in the digital era. Digitization's effect on travel agents suggests fruitful research questions, which include the impact of digitization on the supply of new works, methods for consumer discovery of new products, and new business models available with digital distribution.
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Bibliographic InfoArticle provided by American Economic Association in its journal American Economic Review.
Volume (Year): 102 (2012)
Issue (Month): 3 (May)
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- Julie Holland Mortimer & Chris Nosko & Alan Sorensen, 2010.
"Supply Responses to Digital Distribution: Recorded Music and Live Performances,"
NBER Working Papers
16507, National Bureau of Economic Research, Inc.
- Mortimer, Julie Holland & Nosko, Chris & Sorensen, Alan, 2012. "Supply responses to digital distribution: Recorded music and live performances," Information Economics and Policy, Elsevier, vol. 24(1), pages 3-14.
- Marie Connolly & Alan B. Krueger, 2005.
"Rockonomics: The Economics of Popular Music,"
NBER Working Papers
11282, National Bureau of Economic Research, Inc.
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