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Breaking the Cage: Patriarchal Control, Women’s Oppression, and Resistance in Shakespeare’s Othello and Kazi Nazrul Islam’s “Nari” in the Context of Bangladesh

Author

Listed:
  • Sharif Ratul Hassan

    (Department of English, Northern University Bangladesh, Dhaka)

  • Sujan Chandra Das

    (Department of English, Northern University Bangladesh, Dhaka)

  • Kamrun Nahar Borna

    (Department of English, Uttara University, Dhaka)

  • Sumaiya Akter Eva

    (Department of English, Northern University Bangladesh, Dhaka)

  • Jannatul Ferdous Rinti

    (Department of English, Govt. City College, Chattogram)

  • Tanjina Binta Mahbub

    (Department of English, Gazipur Govt. Mohila College, Gazipur)

  • Saima Islam Roma

    (Department of English, University of Information Technology & Sciences, Dhaka)

Abstract

This study examines women’s oppression, patriarchal control, domestic confinement, violence, and female agency in William Shakespeare’s Othello and Kazi Nazrul Islam’s “Nari,” with particular attention to contemporary Bangladesh. Using a qualitative comparative approach, the study analyzes the two primary texts alongside contemporary literature and socio-economic evidence on gender-based violence and women’s conditions in Bangladesh. The findings show that Othello portrays how marital suspicion, male authority, surveillance, and control can develop into psychological and physical violence, while “Nari” directly challenges gender hierarchy by emphasizing women’s equality, contributions, freedom, and resistance. The comparison further shows that domestic confinement and unequal power remain relevant concerns in contemporary Bangladesh. By connecting literary representations of gender oppression with present-day gender-related concerns, the study offers a perspective for students, researchers, educators, and readers interested in gender, literature, and Bangladesh.

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Handle: RePEc:cxi:jlls00:v:4:y:2026:i:3:id:1044
DOI: 10.61424/jlls.v4i3.1044
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