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Measuring Masters and Masterpieces: French Rankings of French Painters and Paintings from Realism to Surrealism

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  • Martin Bruegel
  • David W. Galenson

Abstract

For 35 leading painters who worked in France during the first century of modern art, this paper uses illustrations in French textbooks as the basis for measuring the importance of both painters and individual paintings. The rankings closely resemble those obtained earlier from a similar analysis of American textbooks. They also pose a puzzle: why do some of the greatest artists not produce famous paintings, while some relatively minor artists produce famous individual works? The answer appears to lie in a difference in approach between experimental artists, who innovate incrementally, and conceptual innovators, who produce individual breakthrough works. This paper further demonstrates the value of quantifying artistic success, for doing so can improve our understanding of the sources of human creativity.

Suggested Citation

  • Martin Bruegel & David W. Galenson, 2001. "Measuring Masters and Masterpieces: French Rankings of French Painters and Paintings from Realism to Surrealism," NBER Working Papers 8266, National Bureau of Economic Research, Inc.
  • Handle: RePEc:nbr:nberwo:8266
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    Cited by:

    1. Victor Ginsburgh & Sheila Weyers, 2006. "Creativity and Life Cycles of Artists," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 30(2), pages 91-107, September.
    2. David W. Galenson, 2004. "One Hit Wonders: Why Some of the Most Important Works of Modern Art are Not by Important Artists," NBER Working Papers 10885, National Bureau of Economic Research, Inc.

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