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The licensing of online music streaming services in Europe

In: Handbook on the Economics of Copyright

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  • Sebastian Felix Schwemer

Abstract

Featuring expert contributors from around the world, this book offers insight into the vital theoretical and practical aspects of the economics of copyright. Topics discussed include fair use, performers’ rights, copyright and trade, online music streaming, internet piracy, copyright and visual art markets, and open source publishing. In addition to in-depth coverage of these timely topics, the authors also offer insightful predictions and policy recommendations for the future.

Suggested Citation

  • Sebastian Felix Schwemer, 2014. "The licensing of online music streaming services in Europe," Chapters, in: Richard Watt (ed.), Handbook on the Economics of Copyright, chapter 9, pages 141-164, Edward Elgar Publishing.
  • Handle: RePEc:elg:eechap:14240_9
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    References listed on IDEAS

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    1. Hollander, Abraham, 1984. "Market structure and performance in intellectual property : The case of copyright collectives," International Journal of Industrial Organization, Elsevier, vol. 2(3), pages 199-216, September.
    2. Thomes, Tim Paul, 2011. "An economic analysis of online streaming: How the music industry can generate revenues from cloud computing," ZEW Discussion Papers 11-039 [rev.], ZEW - Leibniz Centre for European Economic Research.
    3. Ghafele, Roya & Gibert, Benjamin, 2011. "Counting the Costs of Collective Rights Management of Music Copyright in Europe," MPRA Paper 34646, University Library of Munich, Germany.
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    Economics and Finance; Law - Academic;

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