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Criteria for the optimal financing model of public theatres

Author

Listed:
  • Gałecka Małgorzata

    (Wroclaw University of Economics, Faculty of Economic Sciences, Department of Finance, Poland)

  • Smolny Katarzyna

    (Wroclaw University of Economics, Faculty of Economic Sciences, Department of Finance, Poland)

Abstract

The research is part of a wider research problem, whose aim is to find an optimal financing model for cultural institutions in Poland. The purpose of this research is to evaluate the performance indicators of municipal and regional theatres in the context of accessibility to cultural public services. The study forms a verification of previously distinguished indicators of the effectiveness of cultural institutions with a general direction: how to find an optimal financing model of public dramatic theatres. The current research problem is the accessibility of public dramatic theatres in the absence of criteria for the allocation of statutory subsidies. We hypothesise that the absence of criteria for the allocation of statutory subsidies highly diversifies the accessibility of performing arts organisations. The object of study is public dramatic theatres in Poland in the period 2011–2015. We investigated the indicators having an impact on the level of accessibility of public theatres. The statistical methods used allowed us to identify criteria affecting availability. These criteria are recognized in the literature. In addition, we indicate the level of diversification of accessibility by individual public theatres.

Suggested Citation

  • Gałecka Małgorzata & Smolny Katarzyna, 2019. "Criteria for the optimal financing model of public theatres," Review of Economic Perspectives, Sciendo, vol. 19(2), pages 119-136, June.
    • Handle: RePEc:vrs:reoecp:v:19:y:2019:i:2:p:119-136:n:3
    DOI: 10.2478/revecp-2019-0007
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    References listed on IDEAS

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    1. John O’Hagan & Adriana Neligan, 2005. "State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 29(1), pages 35-57, February.
    2. Pascale Amans & Agnès Mazars-Chapelon & Fabienne Villesèque-Dubus, 2015. "Budgeting in institutional complexity: The case of performing arts organizations," Post-Print halshs-01218556, HAL.
    3. Paulina Nowak, 2018. "Regional variety in quality of life in Poland," Oeconomia Copernicana, Institute of Economic Research, vol. 9(3), pages 381-401, September.
    4. Andrzej Kokoszkiewicz & Michał Kolupa, 1997. "On the hellwig method of feasible portfolio construction," International Advances in Economic Research, Springer;International Atlantic Economic Society, vol. 3(4), pages 376-383, November.
    5. António Afonso & Ludger Schuknecht & Vito Tanzi, 2010. "Income distribution determinants and public spending efficiency," The Journal of Economic Inequality, Springer;Society for the Study of Economic Inequality, vol. 8(3), pages 367-389, September.
    6. J. Pierce, 2000. "Programmatic Risk-Taking by American Opera Companies," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 24(1), pages 45-63, February.
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    More about this item

    Keywords

    accessibility; cultural economics; effectiveness; Hellwig’s methods; performing arts organisations;
    All these keywords.

    JEL classification:

    • H2 - Public Economics - - Taxation, Subsidies, and Revenue
    • H7 - Public Economics - - State and Local Government; Intergovernmental Relations

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