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Was the Antitrust Action that Broke Up the Movie Studios Good for the Movies? Evidence from the Stock Market

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  • Arthur De Vany
  • Henry McMillan

Abstract

The Paramount antitrust litigation was a series of eight actions brought by the Department of Justice (DOJ) beginning in 1938 and ending in 1949 against the major motion picture studios. In the early cases the DOJ succeeded in changing industry contracts, but it took a decade of litigation to accomplish what the DOJ wanted, which was to break up the studios and force them to sell their theater chains. We use stock market evidence to evaluate the impact of events in the Paramount litigation on firm value. By the stock market's assessment, the Supreme Court decision was the major event. But the impact of this and other decisions on integrated and nonintegrated defendants, and on a nondefendant, does not support the view that the courts dismantled a successful monopoly; indeed, the contrary may be true. Copyright 2004, Oxford University Press.

Suggested Citation

  • Arthur De Vany & Henry McMillan, 2004. "Was the Antitrust Action that Broke Up the Movie Studios Good for the Movies? Evidence from the Stock Market," American Law and Economics Review, American Law and Economics Association, vol. 6(1), pages 135-153.
  • Handle: RePEc:oup:amlawe:v:6:y:2004:i:1:p:135-153
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    Cited by:

    1. repec:fgv:epgrbe:v:66:n:1:a:3 is not listed on IDEAS
    2. Fotis, Panagiotis, 2011. "Firm's damages from antitrust & abuse of dominant position investigations," MPRA Paper 32788, University Library of Munich, Germany, revised 13 Aug 2011.
    3. Michael Cichello & Douglas Lamdin, 2006. "Event Studies and the Analysis of Antitrust," International Journal of the Economics of Business, Taylor & Francis Journals, vol. 13(2), pages 229-245.
    4. W. D. Walls, 2009. "The Market for Motion Pictures in Thailand: Rank, Revenue, and Survival at the Box Office," International Journal of Business and Economics, School of Management Development, Feng Chia University, Taichung, Taiwan, vol. 8(2), pages 115-131, August.
    5. F. Andrew Hanssen, 2010. "Vertical Integration during the Hollywood Studio Era," Journal of Law and Economics, University of Chicago Press, vol. 53(3), pages 519-543.
    6. W. Walls, 2010. "Superstars and heavy tails in recorded entertainment: empirical analysis of the market for DVDs," Journal of Cultural Economics, Springer;The Association for Cultural Economics International, vol. 34(4), pages 261-279, November.
    7. Panagiotis N. Fotis, 2012. "Competition Policy and Firm’s Damages," Chapters, in: Joseph E. Harrington Jr & Yannis Katsoulacos (ed.), Recent Advances in the Analysis of Competition Policy and Regulation, chapter 6, Edward Elgar Publishing.
    8. M. Ángeles López‐Cabarcos & Helena Santos‐Rodrigues & Lara Quiñoá‐Piñeiro & Juan Piñeiro‐Chousa, 2023. "How to explain stock returns of utility companies from an environmental, social and corporate governance perspective," Corporate Social Responsibility and Environmental Management, John Wiley & Sons, vol. 30(5), pages 2278-2291, September.
    9. Wen-jhan Jane & Wei-peng Chen & Yuan-lin Hsu, 2015. "The impact of deregulation on the movie box office after Taiwan’s entry into the WTO: the difference-in-differences estimation," Eurasian Business Review, Springer;Eurasia Business and Economics Society, vol. 5(2), pages 289-308, December.
    10. Günster, Andrea & van Dijk, Mathijs, 2016. "The impact of European antitrust policy: Evidence from the stock market," International Review of Law and Economics, Elsevier, vol. 46(C), pages 20-33.
    11. Schröder, Bruno, 2012. "Práticas restritivas, barreiras à entrada e concorrência no mercado brasileiro de exibição cinematográfica," Revista Brasileira de Economia - RBE, EPGE Brazilian School of Economics and Finance - FGV EPGE (Brazil), vol. 66(1), March.

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