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The Rise of Hollywood East: Regional Film Offices as Intermediaries in Film and Television Production Clusters

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  • Pacey Foster
  • Stephan Manning
  • David Terkla

Abstract

Foster P., Manning S. and Terkla D. The rise of Hollywood East: regional film offices as intermediaries in film and television production clusters, Regional Studies . Prior research on project-based organizing in creative industries has emphasized the importance of regionally embedded institutions, creative networks and intermediaries in the development of regional project ecologies. Recently, film and television production in the United States has expanded beyond traditional clusters in Hollywood and New York to new locations in the United States, Canada and overseas, raising important questions about the dynamics of increasingly mobile creative project networks. Using data on the Massachusetts film and television industry between 1998 and 2010, it is argued that regional film offices play an increasingly important role as network intermediaries in connecting mobile creative professionals and project entrepreneurs from outside a cluster with labour pools, service providers and production locations inside a cluster on a project-by-project basis.

Suggested Citation

  • Pacey Foster & Stephan Manning & David Terkla, 2015. "The Rise of Hollywood East: Regional Film Offices as Intermediaries in Film and Television Production Clusters," Regional Studies, Taylor & Francis Journals, vol. 49(3), pages 433-450, March.
    • Handle: RePEc:taf:regstd:v:49:y:2015:i:3:p:433-450
    DOI: 10.1080/00343404.2013.799765
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    Citations

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    Cited by:

    1. Manning, Stephan, 2017. "The rise of project network organizations: Building core teams and flexible partner pools for interorganizational projects," Research Policy, Elsevier, vol. 46(8), pages 1399-1415.
    2. Jiejie Wang & Mengli Zhang & Paul Adams & Peng Zheng & Xiaoli Wang, 2022. "Spatial and Temporal Characteristics and Influencing Factors of G20 Box Office Revenues: A Film Geography Perspective," Sustainability, MDPI, vol. 14(24), pages 1-16, December.
    3. Asbjørn Karlsen & Henrik Brynthe Lund & Markus Steen, 2019. "Cluster absorptive capacity: Two types of intermediaries in technology upgrading of manufacturing clusters," PEGIS geo-disc-2019_17, Institute for Economic Geography and GIScience, Department of Socioeconomics, Vienna University of Economics and Business.
    4. Su-Hyun Berg, 2018. "Local Buzz, Global Pipelines and Hallyu: The Case of the Film and TV Industry in South Korea," Journal of Entrepreneurship and Innovation in Emerging Economies, Entrepreneurship Development Institute of India, vol. 4(1), pages 33-52, January.
    5. Dan S. Rickman & Hongbo Wang, 2023. "Creating and maintaining film clusters: Synthetic control method analysis of the enactment and repeal of US state film incentives," Papers in Regional Science, Wiley Blackwell, vol. 102(2), pages 363-392, April.
    6. Xiaorui Xin & Ivo Mossig, 2021. "Governments and Formal Institutions Shaping the Networks of Co‐Production in the Chinese and German Film Industries," Tijdschrift voor Economische en Sociale Geografie, Royal Dutch Geographical Society KNAG, vol. 112(3), pages 220-238, July.
    7. Michael Hoyler & Allan Watson, 2019. "Framing city networks through temporary projects: (Trans)national film production beyond ‘Global Hollywood’," Urban Studies, Urban Studies Journal Limited, vol. 56(5), pages 943-959, April.
    8. Elisa Salvador & Jean-Paul Simon & Pierre-Jean Benghozi, 2019. "Facing disruption: the cinema value chain in the digital age," Post-Print hal-02300929, HAL.

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