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From craft to corporate interfacing: Rock musicianship in the age of music television and computer-programmed music

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  • Christophe Den Tandt

Abstract

Cet article analyse la reconfiguration de la fonction de musicien sous l’influence des innovations technologiques (vidéos musicales, numérisation). Le texte met en lumière la mutation des tâches musicales à partir d’un modèle artisanal (rock classique) vers un paradigme postindustriel ancré dans les technologies informatiques et numériques. Ce changement s’accompagne d’une modification des rôles genrés liés aux rôles du marché du travail.

Suggested Citation

  • Christophe Den Tandt, 2004. "From craft to corporate interfacing: Rock musicianship in the age of music television and computer-programmed music," ULB Institutional Repository 2013/194962, ULB -- Universite Libre de Bruxelles.
    • Handle: RePEc:ulb:ulbeco:2013/194962
    Note: SCOPUS: ar.j
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