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The Greatest Photographers of the Twentieth Century

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David Galenson
Abstract

A survey of textbooks reveals that scholars consider Alfred Stieglitz to have been the greatest photographer of the twentieth century, followed in order by Walker Evans, Cindy Sherman, Man Ray, and Eugène Atget. Stieglitz, Evans, and Atget were experimental artists, who were committed to realism, whereas Man Ray and Sherman were conceptual innovators, who constructed images to express ideas. During much of the twentieth century, photography was dominated by the experimental approach and aesthetic of Stieglitz and his followers, but late in the century this changed; as photography grew increasingly central to advanced art in general, it came to be dominated by conceptual innovators. Sherman’s celebrated creation of artificial scenes is characteristic of the almost exclusively conceptual uses that today’s advanced artists make of its techniques and images, as technical and aesthetic considerations are generally subordinated to conceptual concerns.

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Paper provided by National Bureau of Economic Research, Inc in its series NBER Working Papers with number 15278.

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Date of creation: Aug 2009
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Handle: RePEc:nbr:nberwo:15278

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Z1 - Other Special Topics - - Cultural Economics
Z11 - Other Special Topics - - Cultural Economics - - - Economics of the Arts and Literature

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This page was last updated on 2009-12-14.

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