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Queen Elisabeth Competition

Author

Listed:
  • Sebastien Courtin

    (UNICAEN - Université de Caen Normandie - NU - Normandie Université, IDEES - Identité et Différenciation de l’Espace, de l’Environnement et des Sociétés - UNICAEN - Université de Caen Normandie - NU - Normandie Université - ULH - Université Le Havre Normandie - NU - Normandie Université - UNIROUEN - Université de Rouen Normandie - NU - Normandie Université - CNRS - Centre National de la Recherche Scientifique - IRIHS - Institut de Recherche Interdisciplinaire Homme et Société - UNIROUEN - Université de Rouen Normandie - NU - Normandie Université)

  • Marin Gohard

    (UNICAEN - Université de Caen Normandie - NU - Normandie Université, CREM - Centre de recherche en économie et management - UNICAEN - Université de Caen Normandie - NU - Normandie Université - UR - Université de Rennes - CNRS - Centre National de la Recherche Scientifique)

  • Annick Laruelle

    (UPV / EHU - University of the Basque Country = Euskal Herriko Unibertsitatea)

Abstract

The Queen Elisabeth International Music Competition of Belgium founded in 1937, is among the world's most prestigious and demanding music competitions. It alternates between cello, piano, violin, and voice and consists of three rounds in which each candidates gives a recital. Each round leads to the selection of a subset of candidates. This paper presents and analyses the rule used to select candidates and its specificities. It shows that the rule does not satisfy many of the classical properties deemed as desirable in the social choice literature.

Suggested Citation

  • Sebastien Courtin & Marin Gohard & Annick Laruelle, 2023. "Queen Elisabeth Competition," Working Papers hal-04352680, HAL.
    • Handle: RePEc:hal:wpaper:hal-04352680
    Note: View the original document on HAL open archive server: https://hal.science/hal-04352680
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