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La culture pirate est-elle devenue non-essentielle ? Tour d’horizon des différentes figures médiatiques du piratage informatique

Author

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  • Bruno Vétel

    (CEREGE [Poitiers, La Rochelle] - Centre de recherche en gestion - IAE Poitiers - Institut d'Administration des Entreprises (IAE) - Poitiers - UP - Université de Poitiers = University of Poitiers - UP - Université de Poitiers = University of Poitiers - ULR - La Rochelle Université - Excelia Group | La Rochelle Business School)

Abstract

L'image courante et caricaturale du pirate informatique est celle d'un jeune qui a l'air un peu demeuré sous son sweat à capuche, mais qui s'avère être un génie de l'informatique peu regardant des règles de droit. Quatre figures médiatiques du pirate sont présentées à la suite afin de nuancer un peu ce poncif. Elles permettront aussi de comprendre en quoi la reprise commerciale de l'illustration présentée ci-contre, qui rappelle étrangement le logo d'une marque identitaire poitevine, n'est peut être pas que le fruit d'un hasard, mais sans doute aussi le signe de l'importance d'une culture pirate diffuse et largement démocratisée.

Suggested Citation

  • Bruno Vétel, 2022. "La culture pirate est-elle devenue non-essentielle ? Tour d’horizon des différentes figures médiatiques du piratage informatique," Post-Print halshs-03676856, HAL.
  • Handle: RePEc:hal:journl:halshs-03676856
    Note: View the original document on HAL open archive server: https://shs.hal.science/halshs-03676856
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