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Comprendre les freins à la consommation de spectacles vivants à travers la conception individuelle de l’art

Author

Listed:
  • Céline Gallen

    (LEMNA - Laboratoire d'économie et de management de Nantes Atlantique - IEMN-IAE Nantes - Institut d'Économie et de Management de Nantes - Institut d'Administration des Entreprises - Nantes - UN - Université de Nantes)

  • Danielle Bouder-Pailler

    (LEMNA - Laboratoire d'économie et de management de Nantes Atlantique - IEMN-IAE Nantes - Institut d'Économie et de Management de Nantes - Institut d'Administration des Entreprises - Nantes - UN - Université de Nantes)

Abstract

L'objectif est d'explorer la conception que les individus ont de l'art afin d'identifier les freins à la consommation de spectacles vivants. Le discours de soixante-huit non-consommateurs de spectacles vivants révèle deux conceptions de la relation à l'art : l'une individuelle et affective associée à la peinture et à la musique, l'autre collective et cognitive associée aux spectacles vivants. Ces dissonances qui renvoient aux dimensions de la valeur perçue de l'expérience de consommation pourraient expliquer les freins à la consommation de spectacles vivants. Des stratégies visant à créer des contextes expérientiels sont proposées aux professionnels de la culture afin de favoriser l'appropriation de cette forme d'art par les non-publics.

Suggested Citation

  • Céline Gallen & Danielle Bouder-Pailler, 2010. "Comprendre les freins à la consommation de spectacles vivants à travers la conception individuelle de l’art," Post-Print halshs-02913270, HAL.
    • Handle: RePEc:hal:journl:halshs-02913270
    DOI: 10.7193/DM.058.37.48
    as

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