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Phenomenological approach of the cultural consumption experience: The Concert
[Approche phénoménologique de l’expérience de consommation culturelle : Le cas du concert]

Author

Listed:
  • Charlotte Massa

    (CRM - Centre de Recherche en Management - UT Capitole - Université Toulouse Capitole - UT - Université de Toulouse - IAE - Institut d'Administration des Entreprises - Toulouse - CNRS - Centre National de la Recherche Scientifique)

  • Jean-Philippe Galan

    (CRM - Centre de Recherche en Management - UT Capitole - Université Toulouse Capitole - UT - Université de Toulouse - IAE - Institut d'Administration des Entreprises - Toulouse - CNRS - Centre National de la Recherche Scientifique, UVHC - Université de Valenciennes et du Hainaut-Cambrésis, IAE de Valenciennes)

Abstract

Based on the concert phenomenon, this paper aims to capture this cultural lived experience and to understand its meaning, more particularly by means of value-creation process. Through the use of phenomenological approach, this work states the four main themes of desired elements for people going to concerts: (1) the artist as a guide, (2) the quest for identity, (3) the way out from reality and (4) the search for sharing through short-lived community. In this way, we can see the appearance of the "way out " sacralization that people hope for and manage to create together.

Suggested Citation

  • Charlotte Massa & Jean-Philippe Galan, 2013. "Phenomenological approach of the cultural consumption experience: The Concert [Approche phénoménologique de l’expérience de consommation culturelle : Le cas du concert]," Post-Print hal-03240184, HAL.
  • Handle: RePEc:hal:journl:hal-03240184
    as

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