IDEAS home Printed from https://ideas.repec.org/p/hal/journl/hal-02615557.html
   My bibliography  Save this paper

Defining Art. From the Brancusi Trial to the Economics of Artistic Semiotic Goods
[Définir l'art. Du procès Brancusi à l'économie des biens artistiques sémiotiques]

Author

Listed:
  • Christian Barrère

    (REGARDS - Recherches en Économie Gestion AgroRessources Durabilité Santé- EA 6292 - URCA - Université de Reims Champagne-Ardenne - MSH-URCA - Maison des Sciences Humaines de Champagne-Ardenne - URCA - Université de Reims Champagne-Ardenne)

  • Walter Santagata

    (CRG - Centre de recherche en gestion - X - École polytechnique - CNRS - Centre National de la Recherche Scientifique)

Abstract

The special nature of the artistic and cultural goods is commonly stressed in inquiries into the art market failure. Though the artistic goods are not quite defined, their special character is used as a rationale for art policies. The paper try to theoretically found them. In the first section we introduce the concept of artistic goods as a class of the semiotic goods, that is goods bearers of an aesthetic sign acknowledged in a specific cultural context. The second section relates the semiotic nature of art to three models of organization and regulation of the artistic field, namely the model based on institutions and hierarchies, the gift model and the market model.

Suggested Citation

  • Christian Barrère & Walter Santagata, 1999. "Defining Art. From the Brancusi Trial to the Economics of Artistic Semiotic Goods [Définir l'art. Du procès Brancusi à l'économie des biens artistiques sémiotiques]," Post-Print hal-02615557, HAL.
  • Handle: RePEc:hal:journl:hal-02615557
    Note: View the original document on HAL open archive server: https://hal.science/hal-02615557
    as

    Download full text from publisher

    File URL: https://hal.science/hal-02615557/document
    Download Restriction: no
    ---><---

    Citations

    Citations are extracted by the CitEc Project, subscribe to its RSS feed for this item.
    as


    Cited by:

    1. Federica Codignola & Paolo Mariani, 2022. "Investigating preferences in art collecting: the case of the François Pinault Collection," Italian Journal of Marketing, Springer, vol. 2022(1), pages 107-133, March.
    2. Santagata Walter, 2002. "Some effect of creativity on fashion market behavior," EBLA Working Papers 200205, University of Turin.

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:hal:journl:hal-02615557. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    We have no bibliographic references for this item. You can help adding them by using this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: CCSD (email available below). General contact details of provider: https://hal.archives-ouvertes.fr/ .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.