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Color Range Design : To combinate, harmonize and name colors
[Design de gammes : Combiner et nommer les couleurs]

Author

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  • Céline Caumon

    (LARA-SEPPIA - Laboratoire de Recherche en Audiovisuel - Savoirs, Praxis et Poïétiques en Art - UT2J - Université Toulouse - Jean Jaurès - UT - Université de Toulouse)

Abstract

Il s'agit d'étudier, dans cette présentation, comment, à l'aide de son étymologie et de sa terminologie, le terme « gamme » comprend à la fois des caractères structurels (comment construire), culturels (comment identifier une pensée) et rhétoriques (comment donner de l'intention). La gamme (plus particulièrement une gamme de couleurs) est pensée ici comme un modèle qui permet d'aller au-delà de… l'objet, de la publicité ou du tableau. Mais l'enjeu est surtout de relever les méthodologies de sa conception, les savoirs et savoir-faire qui construisent la gamme ainsi que la sensibilité portée par le matériau et son aspect chromatique. Finalement, il s'agit moins de comprendre l'usage ou la finalité que de comprendre comment, aujourd'hui, nous sommes arrivés à un monde chromatique des images.

Suggested Citation

  • Céline Caumon, 2016. "Color Range Design : To combinate, harmonize and name colors [Design de gammes : Combiner et nommer les couleurs]," Post-Print hal-02538326, HAL.
    • Handle: RePEc:hal:journl:hal-02538326
    Note: View the original document on HAL open archive server: https://hal.science/hal-02538326
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