IDEAS home Printed from https://ideas.repec.org/h/pal/palchp/978-0-230-25080-2_4.html
   My bibliography  Save this book chapter

Appearing as Artisanal Amateurs

In: Building Brand Authenticity

Author

Listed:
  • Michael Beverland

    (RMIT University)

Abstract

Altoids mints are a great example of an authentic brand. Introduced in the nineteenth century as a remedy for indigestion (largely due to the poor state of British food), Altoids (the ‘curiously strong mint’ (Figure 4.1)) achieved cult status through their old-fashioned tins (introduced in the 1920s), quirky promotion, weird flavours, and high-quality paper wrapping (Morris 2004). In fact, Altoids advertising and collectible tins are highly sought after by collectors on ebay (Figure 4.2). In a remarkable article, Claudia Kotchka (VP of Design, Proctor and Gamble) identified why Proctor and Gamble (P&G) couldn’t produce brands with the authenticity of Altoids. Recalling Snapple, Kotchka (2006) noted how Altoids brand authenticity would be destroyed by the ‘P&G effect’. First to go would be the Altoids tin. Tin is more expensive than plastic, is heavier (thereby increasing shipping costs), is old fashioned, and the unique moulded design is difficult and expensive to change in response to changing the trends. Second to go would be the high-quality paper inside the tin that protects mints from being damaged when the tin is shaken. Again, too many parts, too much expense, and paper would be unnecessary in a newly designed plastic container. Figure 4.1 Altoids packaging appears old world and amateurish when compared to the brand’s plastic, manufactured competitors — that’s part of Altoids’ charm.http://www.commons.wikimedia.org/wiki/File:Altoidstins1b.jpg Figure 4.2 Altoids advertisements are as collectible as their tins. The ads reinforce the brands playful, irresistible, deviant nature This Altoids Ad is owned by Wrigley and is used with permission

Suggested Citation

  • Michael Beverland, 2009. "Appearing as Artisanal Amateurs," Palgrave Macmillan Books, in: Building Brand Authenticity, chapter 0, pages 63-83, Palgrave Macmillan.
  • Handle: RePEc:pal:palchp:978-0-230-25080-2_4
    DOI: 10.1057/9780230250802_4
    as

    Download full text from publisher

    To our knowledge, this item is not available for download. To find whether it is available, there are three options:
    1. Check below whether another version of this item is available online.
    2. Check on the provider's web page whether it is in fact available.
    3. Perform a search for a similarly titled item that would be available.

    Corrections

    All material on this site has been provided by the respective publishers and authors. You can help correct errors and omissions. When requesting a correction, please mention this item's handle: RePEc:pal:palchp:978-0-230-25080-2_4. See general information about how to correct material in RePEc.

    If you have authored this item and are not yet registered with RePEc, we encourage you to do it here. This allows to link your profile to this item. It also allows you to accept potential citations to this item that we are uncertain about.

    We have no bibliographic references for this item. You can help adding them by using this form .

    If you know of missing items citing this one, you can help us creating those links by adding the relevant references in the same way as above, for each refering item. If you are a registered author of this item, you may also want to check the "citations" tab in your RePEc Author Service profile, as there may be some citations waiting for confirmation.

    For technical questions regarding this item, or to correct its authors, title, abstract, bibliographic or download information, contact: Sonal Shukla or Springer Nature Abstracting and Indexing (email available below). General contact details of provider: http://www.palgrave.com .

    Please note that corrections may take a couple of weeks to filter through the various RePEc services.

    IDEAS is a RePEc service. RePEc uses bibliographic data supplied by the respective publishers.