The Eco-space and Female Agency in Bole Butake’s Lake God

The ever-increasing environmental crises and the subsequent decay of the earth is a veritable call for concern which has stimulated man’s consciousness vis-à-vis his own very existence and his natural surroundings. There is therefore, the need for continuous resistance against the socio-cultural, political and economic manoeuvres that place man and his environment at extreme ends. This paper, therefore, focuses on the study of Bole Butake’s play: Lake God. It adopts both the eco-critical and eco-feminist approaches and hypothesizes that Butake’s depiction of a panoply of issues that centre around the female body and the land foreshadow a quest to overcome ecological and female oppression in order to render the land a more fertile ground for sustainable development and female empowerment. The paper contends that Butake’s play resonates a feminist self-consciousness which is suggestive of the need to seek alternative means of combating land exploitation in order to sustain a symbiotic relationship between man and his eco-space. In reading Butake’s work from an eco-feminist perspective, this paper intends to show that the characters he creates and the milieu in which they are positioned place the woman in a precarious state. Drawing therefore, from the global tenets of eco-feminism which posit that the woman and nature are related based on their history of domination and exploitation, this paper intends to revisit the eco-space and female agency in Butake’s work to postulate that the woman has the power to preserve the land and to create a healthy and conducive atmosphere. The paper, thus, exemplifies the author’s admiration for one’s native land which must be treasured and protected.